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Although the general path followed by the plot is pretty straightforward, Song leads us down many odd and fascinating detours.
There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.
Comprising works by Jang Jin (Someone Special), Lee Young-jae (Harmonium in My Memory) and Song, 1.3.6 was intended to explore environmental themes and was slotted to open the first Green Film Festival in Seoul in late October.
Alas, the festival's expectations were confounded, first in that only Lee Young-jae's work really engaged environmental issues in a direct way (the other two were merely set in rural areas), and second by the fact that Song went out and shot a 70-minute film.
To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.
The relaxed, convincing performances of the actors also deserve notice.
The question and answer session with the director and lead actors that was held after the showing went on for much longer than anyone was accustomed to.
It was reported immediately after in numerous newspapers that the journalists in attendance applauded long and hard following the press screening and that most of them were in tears.
This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).
Git was originally commissioned as a 30-minute segment of the digital omnibus film 1.3.6.
In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.
Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.
In a year that has been lacking in unexpected discoveries, Git is an exciting find.